{"id":70,"date":"2023-09-09T23:23:19","date_gmt":"2023-09-10T02:23:19","guid":{"rendered":"https:\/\/fabiofon.com\/verbivocovirtual\/?p=70"},"modified":"2023-09-10T15:51:04","modified_gmt":"2023-09-10T18:51:04","slug":"o-novo-no-ovo","status":"publish","type":"post","link":"https:\/\/fabiofon.com\/verbivocovirtual\/o-novo-no-ovo\/","title":{"rendered":"O novo no ovo"},"content":{"rendered":"\n<p>2021<\/p>\n\n\n<figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><div class=\"epyt-video-wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_52962\"  width=\"1000\" height=\"563\"  data-origwidth=\"1000\" data-origheight=\"563\" src=\"https:\/\/www.youtube.com\/embed\/YO3UX_a70hY?enablejsapi=1&#038;autoplay=1&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=1&#038;playlist=YO3UX_a70hY&#038;rel=-1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/div><\/figure>\n\n\n<p>NOVO NO OVO is part of the current flow of aesthetic research by the poet Paula Val\u00e9ria Andrade, who, as a visual artist, has a passion for spelling in her training. Visual Poetry. New searches. Figure and background. It thus explores the concreteness and visuality, subjective and symbolic, of iconographies and their living codes, in poetry and in the daily life that surrounds it, in the urban context. Innovations in it. Experiments. New poetic occupations. The new in the same egg. The purpose of the expanded poetry book &#8211; or experimental poetry &#8211; is to be a provocative poetic-imagery and mix-media project, transmedia as a whole, with fusions of technological supports in the multiple poetic languages \u200b\u200bexperimented with in the same theme, based on the printed matter the developments of audiovisual and vocalizations of poetry. The construction of a poetic metalanguage VERBIVOCOVISUAL &gt; poetry + spelling + photography + sculpture + performance + sound + image + verb. From the book, we unfold: * Audio book &#8211; Soundcloud &#8211; 10 poetic sound pills * Video book \u2013 Instagram &amp; Youtube &#8211; 12 poetic audiovisual pills.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-transform:none\">Paula Val\u00e9ria Andrade<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Brazil<\/h4>\n\n\n\n<p>Poet, writer, teacher, designer and audiovisual artist. She has published more than 25 books on poetry, art education, didactics and children&#8217;s literature. Literary awards in Italy, Portugal, USA, Germany, and Brazilian: Jabuti, UBE, ProAC Poesia SP, Premio Guarulhos de Literatura and APCA. Received Historic Achievement Award in Literature ProAC LAB SP &#8211; 2022. Recently cited as a poet and artist in the book \u201cThe Handbook of Latin American Studies, Vol. 76\u201d, University of Texas Press, 2023.<\/p>\n\n\n\n<p><a href=\"http:\/\/linktr.ee\/paulavaleriandrade\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/linktr.ee\/paulavaleriandrade<\/a><\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>2021 NOVO NO OVO is part of the current flow of aesthetic research by the poet Paula Val\u00e9ria Andrade, who, as a visual artist, has a passion for spelling in her training. Visual Poetry. New searches. Figure and background. It thus explores the concreteness and visuality, subjective and symbolic, of iconographies and their living codes, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-70","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/posts\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/comments?post=70"}],"version-history":[{"count":4,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/posts\/70\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/posts\/70\/revisions\/111"}],"wp:attachment":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/media?parent=70"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/categories?post=70"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual\/wp-json\/wp\/v2\/tags?post=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}