{"id":221,"date":"2025-09-27T18:58:03","date_gmt":"2025-09-27T18:58:03","guid":{"rendered":"https:\/\/fabiofon.com\/verbivocovirtual2\/?p=221"},"modified":"2025-10-10T19:24:19","modified_gmt":"2025-10-10T19:24:19","slug":"concrete-code","status":"publish","type":"post","link":"https:\/\/fabiofon.com\/verbivocovirtual2\/concrete-code\/","title":{"rendered":"Concrete Code"},"content":{"rendered":"<figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><div class=\"epyt-video-wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_18177\"  width=\"1000\" height=\"563\"  data-origwidth=\"1000\" data-origheight=\"563\" src=\"https:\/\/www.youtube.com\/embed\/TrgYyVY8wkE?enablejsapi=1&#038;autoplay=1&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=3&#038;loop=1&#038;playlist=TrgYyVY8wkE&#038;rel=-1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/div><\/figure>\n\n<h2 class=\"wp-block-post-title\">Concrete Code<\/h2>\n\n\n<p>2024<\/p>\n\n\n\n<p class=\"marcatexto\">\u201cConcrete Code\u201d is a work inspired by the tradition of Concrete Poetry, a literary movement that expands the boundaries of literature by allowing words to generate meaning through their \u201cverbivocovisual sensitive totality,\u201d integrating verbal, visual, and auditory elements. In this work, however, the poems are composed using programming code that incorporates poetic devices and symbolic signs into its structure. Despite all the poetic interferences the programming text of Concrete Code has undergone, it remains fully functional, respecting the syntactic and semantic rules of the programming language and the JavaScript library \u2014 p5.js \u2014 thus producing a visual result through its execution. Each poem in Concrete Code is perfectly legible to the machine. This is demonstrated by the QR code links that accompany each of the works presented here. By accessing them, one can view the non-concrete version of the project. As for the human reader, they will find recognizable words among the tags, meter within the equations, and rhythm within the algorithms.<\/p>\n\n\n\n<details class=\"wp-block-details has-secondary-color has-text-color has-link-color wp-elements-22037df20bab019c45e4850dde26e4fd is-layout-flow wp-block-details-is-layout-flow\"><summary>AI Context<\/summary>\n<p>The creation of the programming codes used in the work was carried out through a process of cybernetic interaction, involving the collaboration of a human (the artist) and a machine (artificial intelligence tools). This process is part of the doctoral research currently being developed at the Faculty of Fine Arts of the University of Porto.<\/p>\n<\/details>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading titulobio has-x-large-font-size\"><strong>Tobias Gaede<\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-left marcatexto\"><strong>Brazil<\/strong><\/h4>\n\n\n\n<details class=\"wp-block-details has-secondary-color has-text-color has-link-color wp-elements-863cbaed6a56dfda02abcc64784990f9 is-layout-flow wp-block-details-is-layout-flow\"><summary>Bio<\/summary>\n<p>Tobias Gaede is a visual artist and researcher focused on the relationship between art and technology. He is a PhD candidate in Fine Arts at the University of Porto, and a member of LICCA-UFC and i2ADS. He has published books such as &#8220;Depredador&#8221;, &#8220;Vig\u00edlia&#8221;, and &#8220;C\u00f3digo Concreto&#8221;, and has presented artworks and research in events across Brazil, Portugal, Spain, Poland, the USA, France, Germany, Israel, Mexico, and the United Kingdom.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.nicolabertoglio.com\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.tobiasgaede.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.tobiasgaede.com<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.nicolabertoglio.com\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.instagram.com\/tobiasgaede\" target=\"_blank\" rel=\"noreferrer noopener\">www.instagram.com\/tobiasgaede<\/a><\/p>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>2024 \u201cConcrete Code\u201d is a work inspired by the tradition of Concrete Poetry, a literary movement that expands the boundaries of literature by allowing words to generate meaning through their \u201cverbivocovisual sensitive totality,\u201d integrating verbal, visual, and auditory elements. In this work, however, the poems are composed using programming code that incorporates poetic devices and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/posts\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":1,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/posts\/221\/revisions"}],"predecessor-version":[{"id":222,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/posts\/221\/revisions\/222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/media\/120"}],"wp:attachment":[{"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/media?parent=221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/categories?post=221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabiofon.com\/verbivocovirtual2\/wp-json\/wp\/v2\/tags?post=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}